The original building was constructed in the 15th century. In the early seventeenth century, the church was almost completely rebuilt, and again consecrated in 1609.

With three naves, it has three altars and four chapels inside. The high altar is crowned by a sculpture of Our Lady of the Rosary attributed to Filippo Parodi of Genoa; the side altars, dating from the second half of the 18th century, are dedicated to Our Lady of Mount Carmel and St. Joseph. The works kept inside the church are: the 18th-century processional chest depicting Our Lady of the Angels, attributed to Anton Maria Maragliano and his workshop; the white marble baptismal font, datable to the late 16th and early 17th centuries; The Assumption of the Virgin by painter Bernardo Castello (1621); the Visitation by Simone Balli, the 17th-century; the Virgin and Saints by Giuseppe Palmieri (18th century).

Built in 1611, it houses several 18th-century processional objects and 17th-century canvases. These include: the processional chest depicting the martyrdom of St. Catherine and that of St. Anthony of Padua; the statue of the Immaculate Conception and that of St. Anthony, both attributed to Giovanni Maraglino, nephew of the more famous Anton Maria.

The first documentary mention dates back to 1585 and is found in the account of the apostolic visit of the bishop of Viterbo Monsignor Montigli, who noted that the oratory was the home of the Confraternity of the Disciplined, which was suppressed, in 1805, by Napoleonic laws. The significance of this building is given above all by the cycle of frescoes executed on the facade by the Genoese painter Andrea Semino, in 1586, depicting the stories of the Virgin and Jesus.

The museum was born out of the passion of a couple of collectors of vintage objects, and thanks to the collaboration of the Municipality of Rossiglione and the Province of Genoa, the ever-expanding collection has been able to take the form of a real journey through the Italy of the last century, first rural and gradually becoming more and more computerized: vintage motorcycles, agricultural tools, the first radios, the first household appliances, the first televisions, the Lambretta, the folding Graziella, the Apple computer, the Coomodor, the first cell phones…

In one room, a classroom from the 1950s has been reproduced with vintage materials. In the room dedicated to Olivetti, you can have fun tapping the keys of the legendary Lettera 22.

The highlight for children is the toy section: constructions, cars, toy soldiers, toy trains, goose game, bicycles, tricycles, dolls and puppets, and the legendary working Sweet Oven.

There are also reconstructions of some commercial service environments that actually existed in the village, such as the bicyclist’s store and the motorcycle mechanic’s store.

Above the Gargassa stream is an ancient bridge, built in 1599, which, originally included two parts that no longer exist, namely a gate and a third arch.